侯登科摄影思想分析及评价_新闻摄影.doc

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  • 更新时间:2013-09-27
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摘要:侯登科,中国当代摄影坐标式人物,他的摄影作品为当代中国的社会变迁,尤其是中国当代农村社会所发生的深刻的内在与外在的变化留下了宝贵的纪录,他的摄影观念对上世纪八九十年代的中国摄影产生了震撼和深远的影响,被人誉为在中国当代摄影史上无法绕开的名字。在研究过程中,本文通过分析侯登科的摄影经历和作品,集中分析他的摄影思想观念。同时结合中国纪实摄影发展过程,对他的摄影思想做历史的,客观的评介。本文紧紧围绕侯登科农村题材纪实摄影观念是如何逐步产生、发展、成熟并成为其风格特征、实践方式这个问题展开论述。共分为两部分,第一部分侯登科的摄影经历与其纪实摄影观成型,以1989年为界把他的经历分成了两个阶段分别结合当代摄影的主要走向对侯登科重要摄影经历、作品、风格进行分析研究。并把侯登科独特的农村纪实摄影风格提出单独讨论。第二部分对侯登科的摄影思想进行归纳,并在时下语境中对侯登科的纪实摄影作客观辨证的分析。

关键词:侯登科  摄影思想  纪实题材

 

Abstract:Hou dengKe, Chinese Contemporary Photography Coordinate figure, his photographs of social change in contemporary China, particularly Chinese contemporary rural society of the profound changes in internal and external left a valuable record of his ideas on photography The eighties and nineties produced a shock of Chinese photography and far-reaching effects, was hailed as the history of contemporary photography in China, the name can not be bypassed. In the study, the paper analyzes the Hou dengKe photography experience and work, the analysis focused on ideas of his photography. Combined with the development of Chinese documentary photography, photographic thinking to do on his history, objective review. This paper closely around the concept of documentary photography, Hou Dengke rural subjects of how to gradually produce, develop, mature and become a feature of their style, practical way the issues discussed. Divided into two parts, the first Hou dengKe photography experiences shape their concept of documentary photography to his 1989 experience as the world divided into two phases, with the main trends of contemporary photography photography experience for Hou Dengke important, work, style were analyzed. And the Hou Dengke unique style of documentary photography in rural areas make a separate discussion. The second part of the photographic thinking Houdeng Ke induction, and in the present context of an objective documentary photography Houdeng Ke dialectical analysis. 

Keywords: Hou Dengke documentary photography subjects thought

 

   本文以侯登科的摄影作品为依托,对他的摄影思想进行分析。同时结合侯登科的个人成长经历和当时的社会文化环境来综合阐述。而为了提高论文的客观性和说服力,本文通过多方面的资料查阅,包括侯登科得生前著作,日记,谈话录等。

 


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