【摘要】纵观一部文学史，满耳充溢的是男性神话的赞歌，这一源远流长的文学现象表明中国传统男性观对民族的影响已经成为一种集体无意识。但在上海沦陷时期，张爱玲以其敏锐的洞察，独特的经历，新颖的视角，在小说中刻画了一批批身残志衰的丑陋男性，他们或身体残疾，或精神残障。张爱玲小说中的男性世界是一片坍塌了的废墟，飘荡的是荒凉的人性。张爱玲在小说中乐于刻画“丑陋”的男性，但是她并没有以点盖面，否认男性的全部，这从她的散文篇章中可以看出。时代的动荡与机遇，家庭的显贵与糜烂，亲情的缺失与冷漠，爱情的甜蜜与痛苦，造就了张爱玲，成就了张爱玲。本文将从其小说、散文两方面来谈及张爱玲的男性观及形成原因。
关键词：张爱玲 男性观 男性形象
Abstract:Throughout a history of literature, full of a paean of male myth, the long-time literature phenomenon indicates the influence of Chinese traditional male view to our nation has become a kind of collective spirit. But during the wartime of the Shanghai being occupied, Zhang Ailing described a huge number of handicapped, vulnerable and ugly men in her novels by her acute observer, special experience and original visual angle, some physically-disabled, some mentally-challenged. In Zhang Ailing’s novels, the men’s word is a collapsed ruin, full of isolated humanity. Zhang Ailing preferred to describe ugly men in her novels, but she did not deny all men’s efforts, what could be seen from her essays. Zhang Ailing succeed because of the turbulent and full of opportunity times, the bigwigs and erosion family, the cold and indifferent home and the mellifluous and painful love. The chapter will talk about the male view of Zhang Ailing through her novels and essays and the cause of her male view.
Key words：Zhang Ailing; male view; male image
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