摘要:中国古代灯具承载着中华民族优秀的文化传统和造物思想，其中所蕴涵的许多优秀的设计思想、所反映出来的设计理念至今仍然闪烁着智慧的光芒。本文通过调查法、分析法、比较研究法、文献资料法等研究方法，从设计的角度对中国春秋战国灯具造型进行研究，结合其时期经济背景、生活形态和文化思想背景，对灯具的造型做系统的分析研究，找出古人设计灯具的思想与特征，总结提炼，为现代灯具设计提供一种科学的思路，希望能对逐渐西化的现代中国灯具的民族化进程有所借鉴和帮助。
全文共分为四个部分，第一部分为绪论，简要的叙述课题的意义、研究现状、研究方法和目的、研究框架和创新点。第二部分为正文，共分为4点进行论述。1、通过分析春秋战国时期出现的典型灯具造型，结合时期的时代背景，论述其造型历史沿革。2、深入论述灯具的造型要素和其中所蕴涵的人机意识。3、论述中国古代灯具造型艺术的特征。4、春秋战国时期灯具造型的特征。第三部分为灯具作品概念，以春秋战国时期灯具造型艺术对现代灯具设计的启发创作设计。第四部分则为全文的总结，总结中国古代灯具造型艺术的演变规律，春秋战国时期灯具造型艺术对现代灯具设计的启示。
关键词：灯具 ，造型 ，特征，启示 ，设计
Abstract:Chinese ancient artistic lamps bear the weight of national significant culture tradition and material making thoughts, and they imply many designing ideas and reflect lots of designing concepts that blazed with intelligence. This dissertation apply the approaches of investigating, analyzing, contrasting, and documenting, from the angle of design to studying the artistic lamps in the China Spring - Autumn and Warning States Period. Then the paper will make a systematical analysis over the shapes of the lamps integrating the background, living situation and cultural setting. As a result, the paper reach a conclusion to provide a scientific way on designing modern lamps and hope to give hands to reviving the general westernizing culture of Chinese modern lamps.
This dissertation is divided into four chapters. Chapter One is introduction which makes brief description of the significance, rationale, research methods, structures and creative points on the paper. Chapter Two discusses the details into four points of view. Firstly, it explains historical evolution of lamp shapes linking to the setting of the China Spring - Autumn and Warning States Period through analyzing the typical lamp shapes emerged at that time. Secondly, it narrates the shaping elements and its suggesting humanized consciousness at length. Thirdly, it generally goes to the features of th ancient Chinese artistic lamps. Finally, it moves to the specific research on the shaping features of artistic lamps in the China Spring - Autumn and Warning States Period. Chapter Three is the summary of the dissertation that concludes the development law of the shaping art on ancient lamps and the thoughts it bring to us. Chapter Four is the very ending of the paper. It describes the concepts of lamp works and the novel disign on the basis of modern lamps designing thoughts brought with the shaping art in the China Spring - Autumn and Warning States Period.
Key Words: Chinese ancient artistic lamps; shaping; features; thoughts; design
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