摘要:在以往的张恨水研究中，通常是分为两个时期。前期的题材主要是言情小说，模仿鸳鸯蝴蝶派；后期主要侧重于社会讽刺，当然其风格与张天翼或老舍又有差异。张恨水是中国现代作家中最多产的一位，其创作的高峰期是在建国前的三十年（1920年—1949年前后）。在二十世纪三十年代中期抗日战争爆发，张恨水的创作题材由社会言情小说逐渐转变为社会讽刺小说，《啼笑因缘》和它的续集皆是他在创作风格过渡时期的典型作品。
冷清秋、白秀珠、沈凤喜、关秀姑、何丽娜、袁三、田佩芝和朱四奶奶等人均是张恨水小说中的经典女性形象，她们来自社会的不同阶层，拥有不同的人生观、价值观、世界观。从依附性的角度来谈，她们属于截然不同的两类女性：一类是自尊自强、有情有义，不依附男子的女性；另一类是贪图享乐、无情无义、依附男子的女性。在张恨水的小说创作中，只有拥有知识、能够独立自主的女子才能够生存下去，而依附于男子的、爱慕虚荣的女性最终必会走向灭亡。
关键词： 张恨水 小说 女性形象 独立自主 拜金女
Abstract:In previous research on Henshui Zhang , are usually divided into two periods. The main theme is a sentimental novel, mimicking the school of mandarin duck and butterfly; the main focus on social satire, of course, with the style of Tianyi Zhang or She Lao and differences. Henshui Zhang is the most productive one in the Chinese modern writer , the creation of the peak is in found a state thirty years ago (1920 -1949). In the nineteen thirties medium the outbreak of the Anti-Japanese War, Zhang Henshui's theme from social romance novels gradually transformed into a social satire," Ti xiao yin yuan" and its sequel is in his creative style transition period of the typical works.
Qingqiu Leng, Xiuzhu Bai, Fengxi Shen, Lina He, Xiugu Guan, Miss Yuan, Peizhi Tian and Si Zhu such as per capita in the Henshui Zhang novel's classic image of women, they come from different social strata, with a different outlook on life, values, world view. From the dependence of angle to talk about, they belong to two different kinds of women : one is the women who are self-respect, righteous, unattached men; another kind is the women who are love of pleasure, show ingratitude for favours, attachment men. In Zhang 's novels, only has the knowledge, the woman who can able to stand on one's own can survive, and dependent on men, vanity of women must be perish.
Key words: Henshui Zhang, novels, female image, stand on one's own, gold digger
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