论《大宅门》的儒家文化和叛逆精神_汉语言文学.doc

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摘要:著名编导郭宝昌先生花费四十年心血自编自导的电视剧《大宅门》涌现了众多有血有肉的人物形象,在这些人物身上作者赋予了他们不同的性格特征,这些性格各异的人物形象构成了宅门中独特的文化气质,通过对剧本的探析,理解编导从中所要展现出来的儒家文化的忠、孝、仁;在人们头脑中根深蒂固的家族本位思想以及叛逆精神。通过运用比较法、文献摘录法等从中窥见不同社会儒家文化在人们头脑中的影响,从而正确地看待叛逆精神的实质。对剧中正义的“忠”给予赞扬,对母命“错了也得听”的这种导致三代人悲剧的愚孝给予批判,让历史的悲剧不再重演。通过对剧本的探析,不仅要学会用科学的眼光看待问题,一分为二的看待儒家文化,而且从中提升自己的文化修养。

关键词:《大宅门》;儒家文化;家族本位;叛逆精神

 

Abstract:The famous director Guo Baochang spent 40 years to direct the TV drama Big House. A large number of human beings – images emerged; the author gave these figures different character traits. These figures varied character images of the Men's unique culture temperament, the right of the script. We should comprehend the Confucian culture of loyalty, filial piety, humanity in people's minds and the deep-seated ideological and clan-based spirit of treason that displayed in the drama. By using comparative law and literature extracts from the law to get a glimpse of different social Confucian culture in people's minds, thus to look at the real spirit of treason correctly. The director praised the justice and loyalty in the drama, and also gave criticism to the command that "although they are wrong things, you must obey" which makes the tragedy of three generations, to allow the historical tragedy will not be repeated. Basing on the script, we should not only learn to use the scientific point of view, a view that to judge the Confucian culture in two sides; moreover we can enhance cultural enrichment through it. 

Key words: Big House; Confucian culture; Family-oriented; Rebellious spirit

 


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