摘要：王朔打破了格式化的写作方式在中国当代文坛上游刃有余，随性自适。他开创了文学说话的新方式，甚至是改变了中国人的说话方式。他的小说语言有着天才般的创造力和子弹般的攻击力。小说中那一批批游离于社会边缘的个性鲜明的“侃爷”、“侃姐”让读者感到惊喜。此外，他运用独特的反讽方式来消解知识分子、亵渎神圣、颠覆传统、反抗理性、藐视权威。这种颠覆性可以说比先锋小说还具有颠覆性。王朔的小说是写他自己，并且通过小说真实地剖露自己。小说中显现的反讽意识目的在于努力地以一种与众不同的方式来实现对现实生活的独特思考和完成自我的心理治疗。
关键词：王朔；小说；反讽意识；话题；俚语
Abstract：Wangshuo’s way of writing breaks the formatting and has a palace in Chinese contemporary literary world with skill and ease. He has created a new way of expression for literature and even has changed the Chinese people’s way of speaking. He writes novels with gifted creativity and sunshine-through aggressivity in which pockets of characters with clear identities who are drifting on the fringes of society have given great surprise to readers. In addition, he adopts a special way of irony to mock the intellectuals, to violate the holiness, to overturn the tradition, to revolt reason and to despise the authority. Such subversiveness can be more than that of vanguard novels. Wangshuo’s novels are expressions of himself, through which he reveals himself to the full. His ironic consciousness in his novels aims to give an unique way of reflection to real life and to complete self mind-cure.
Key words: Wangshuo; novel; ironic consciousness; topics; slang
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