摘要：一直以来，样板戏常常被认为是文革文学中最具代表性的文学形式之一。由于样板戏产生于独特的政治文化背景上，因此在其产生之日起就注定了日后将饱受争议。有相当大的比例集中在对样板戏中最受大众喜闻乐见的英雄人物的分析上。由于极少有研究从文本出发，关注这个“造神系统”是如何运作的，因此研究常常成为对当时代文化政策的复述和附会。本文试图分析样板戏中英雄人物的塑造机制，揭示剧作家们如何运用神格化的组装技巧把看似毫无关系的要素进行组合，并导致样板戏中的英雄人物无不呈现出一定的“傀儡”特质。
关键词：样板戏；神格化；政治化
Abstract: All along, the model operas is often considered one of the forms of literature in the literature during Cultural Revolution of the most representative. Because the model opera produced in the unique political and cultural background, so in the day when it was destined later will be controversial. A considerable proportion of concentrate on the model operas in the analysis of the hero's love to see and hear. Since few studies from the perspective of text, pay attention to the "God" is how to operate, so the research on cultural policies often become the era when the repetition and attached. This paper attempts to analyze the formation mechanism of the hero model Beijing operas, reveal the playwrights how to use assembly technique deified the combination of elements of seemingly unrelated, and cause the model operas in the heroes all showing a "puppet" trait.
Keywords: model opera; deification; political
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