论黄碧云小说中的“临界”叙事.doc

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摘要:先锋小说的叙事革命是一场由“临界叙述”开启的话语与风格的转变,而在同时代的香港文坛中,黄碧云的小说同样显现出临界叙事的特点。这种叙事手法与风格不仅丰富了作品的内涵,同时也是作者在不断的自我审视中,探讨生命主题的价值所在。在黄碧云的作品中,临界叙事是一种以灵魂身份出现在其中,临界叙事主要建立在文本的主题立意、故事情节、人物心理上。主题往往以二元对立的形式存在,故事情节之间相互影响推进,人物心理自我意识互相纠缠,叙事存在于“临界点”的两端,通常扮演着追踪与逃离、真实与幻想的双重角色。临界叙事的艺术魅力除了给文本和作者增添了独特的气息之外,还拓宽了小说客观世界与虚拟世界的空间,对于叙述者与读者来说,都是颇为赏心的阅读经验。

关键字:临界 叙事 黄碧云 小说

 

ABSTRACT: Narrative Pioneer was a revolution by the "critical narrative" open discourse and style changes, and in the contemporary literary scene in Hong Kong, Huang Biyun's novel also reveals the critical narrative features. This narrative technique and style not only enrich the content of the work, but also the author of the constant self-examination to explore the theme of life's value. In Huang Biyun works, critical narrative is a kind soul, which appear in the critical narrative conception main theme of the text, the story, the characters repeatedly psychologically deal. Narrative existence and "tipping point" at both ends, generally plays a track and escape the dual role of reality and fantasy. Critical addition to the artistic charm of narrative text, and add to the unique atmosphere of the addition, and secondly also broadens the novel objective world and the virtual world space, for the narrator and the reader, are quite delightful reading experience.

Keyword:Critical  Narrative  Huang Biyun  Novel

 


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