摘要:《聊斋志异》“写人写鬼高人一等，刺贪刺虐入骨三分”⑴，这是我们常知的《聊斋》一书的艺术成就。书中，作者蒲松龄将花妖狐魅乃至非生物拟人化，使它们不管是在情、形、性格上都具有明朗的人情味，它们被有意识地、大量地和人们的社会生活联系起来；或是将人变异成物，以物形出现即而达到自己的目的。在《聊斋》中这些人与物的形象被错位运用。然而在作者通过此种手法虚构的荒诞世界中我们恍如置身于人类世界，察觉不出丝毫异迹。这种奇特的人、物形象错位描写在《聊斋》中的运用并非偶然，它使作者在现实世界中不可能达成的理想得到了实现。《聊斋》堪称托物言志的经典之作。
关键词 聊斋 形象错位 寄寓理想
Abstract: " Liao Zhai Zhi Yi " “writes the human to write the ghost to be a cut above other people, punctures the corrupt thorn oppressive bone to inter the body three points”, this is our Chang Zhi "Liaozhai" a book artistic achievement. In the book, author Pu Songling will spend the monster fox spirit and even the non-biological personification, causes it them, no matter in the sentiment, the shape, the disposition has the bright touch of humanity, they by consciously, massively and people's social life relate; Perhaps the person variation finished goods, presents by the shape namely achieves own goal. In "Liaozhai" these human and thing image by dislocation utilization. However we just likes in the incredible world which the author fictionalizes places oneself in the human world, cannot realize slightly the different mark. This kind of unusual person, the shape likely dislocation description in "Liaozhai" the utilization accidentally, expressed itself through this dislocation author to stay by no means the ideal which was impossible in the real world to achieve. "Liaozhai" may be called holds word will work classics.
Key word Liaozhai Vivid dislocation Stays the ideal
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